Howlin' wolf children

Howlin’ Wolf - West Point

One of the giants of post-World War II Chicago blues, Chester Arthur Burnett, aka “Howlin’ Wolf,” was born in White Station, just north of West Point, on June 10, 1910. In his early teens Burnett began performing in the Delta and was later a pioneer in electrifying the Delta blues. After moving north, Burnett nonetheless remained a strong presence on the Mississippi blues scene by returning home often for visits and performances.

An imposing figure both physically and artistically, Chester Arthur Burnett was named after U.S. President Chester Arthur. Burnett’s grandfather gave him the nickname “Wolf.” He learned to play a one-string “diddley bow” and harmonica as a child, but his early life was difficult. Cast out by his mother, Burnett lived in White Station with his great uncle until he ran away from home at 13 and hitched a train to the Delta.

On the Young and Morrow plantation near Ruleville he had a warm reunion with his father, who bought him his first guitar in 1928. Burnett soon fell under the wing of blues pioneer Charley Patton, who tau

Howlin’ Wolf

Howlin’ Wolf quickly became a local celebrity, and soon began working with a band that included both Willie Johnson and guitarist Pat Hare. His first recordings came in 1951, when he recorded sessions for both the Bihari brothers at Modern Records and Leonard Chess‘ Chess Records. Chess issued Howlin’ Wolf’s How Many More Years in August 1951; Wolf also recorded sides for Modern, with Ike Turner, in late 1951 and early 1952. Chess eventually won the war over the singer, and Wolf settled in Chicago, Illinois c. 1953. Upon arriving in Chicago, he assembled a new band, recruiting Chicagoan Joseph Leon “Jody” Williams from Memphis Slim’s band as his first guitarist. Within a year Wolf enticed guitarist Hubert Sumlin to leave Memphis and join him in Chicago; Sumlin’s terse, curlicued solos perfectly complemented Burnett’s huge voice and surprisingly subtle phrasing. Although the line up of Wolf’s band would change regularly over the years, employing many different guitarists both on recordings and in live performance including Willie Johnson, Jody Williams, Lee Coop

TeachRock

(1910 – 1976)

A towering, larger than life performer with a distinctive, raspy growl, Howlin’ Wolf was among the most influential Blues musicians of the postwar years. A Mississippi native who relocated to Chicago and recorded for that city’s Chess Records, Wolf was at the forefront of transforming the acoustic Blues of the rural South to the electric, urban Blues of Chicago, and he was a particular favorite of many early Blues-influenced Rock musicians, including the Rolling Stones and Jimi Hendrix.

Howlin’ Wolf was born Chester Arthur Burnett in the small town of White Station, Mississippi. After his parents spilt up he was sent to live with an uncle who treated him harshly and at age 13 he ran away to live with his father, a sharecropper. Wolf was inspired to play by the many Bluesmen who traveled through the Mississippi Delta, especially Charley Patton. In 1928, after receiving a guitar for a birthday present, Burnett convinced Patton to give him lessons. Wolf was influenced by Patton’s powerful, gravelly singing, a style that natural

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