How old was mary cassatt when she died
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Mary Cassatt
American painter and printmaker (1844–1926)
Mary Cassatt | |
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Cassatt seated in a chair with an umbrella, 1913. Verso reads "The only photograph for which she ever posed." | |
| Born | Mary Stevenson Cassatt (1844-05-22)May 22, 1844 Allegheny, Pennsylvania, U.S. |
| Died | June 14, 1926(1926-06-14) (aged 82) near Paris, France |
| Education | Pennsylvania Academy of the Fine Arts, Jean-Léon Gérôme, Charles Chaplin, Thomas Couture |
| Known for | Painting, printmaking |
| Movement | Impressionism |
Mary Stevenson Cassatt (; May 22, 1844 – June 14, 1926)[1] was an American painter and printmaker.[2] She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.
She was described by Gustave Geffroy as one of "les trois grandes dames" (the
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Summary of Mary Cassatt
American-born Mary Cassatt traveled to France for her artistic training and remained there for most of her life and career. There she was recognized by contemporaries like Edgar Degas for her talent, and she became the only American artist to exhibit with the Impressionists in Paris. Her signature subjects were portraits of women and portrayals of mothers and children caught in everyday moments. In both her style and her insightful evocations of women's inner lives, she was a distinctly modern artist of the late-19th century.
Accomplishments
- Cassatt's work combined the light color palette and loose brushwork of Impressionism with compositions influenced by Japanese art as well as by European Old Masters, and she worked in a variety of media throughout her career. This versatility helped to establish her professional success at a time when very few women were regarded as serious artists.
- Cassatt's art typically depicted domestic settings, the world to which she herself (as a respectable woman) was restricted, rather than the more public spaces that
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Mary Cassatt Biography In Details
Cassatt's popular reputation is based on an extensive series of rigorously drawn, tenderly observed, yet largely unsentimental paintings and prints on the theme of the mother and child. The earliest dated work on this subject is the drypoint Gardner Held by His Mother (an impression inscribed "Jan/88" is in the New York Public Library), although she had painted a few earlier works on the theme. Some of these works depict her own relatives, friends, or clients, although in her later years she generally used professional models in compositions that are often reminiscent of Italian Renaissance depictions of the Madonna and Child. After 1900, she concentrated almost exclusively on mother-and-child subjects.
In 1891, she exhibited a series of highly original colored drypoint and aquatint prints, including Woman Bathing and The Coiffure, inspired by the Japanese masters shown in Paris the year before. (See Japonism) Cassatt was attracted to the simplicity and clarity of Japanese design, and the skillful use of blocks of color. In he
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