Niccolò paganini wife
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Paganino Paganini
Italian printer and publisher
Paganino Paganini (Italian:[paɡaˈniːnopaɡaˈniːni]; Latin: Paganinus de Paganinis; c. 1450–1538), was an Italianprinter and publisher from the Republic of Venice during the Renaissance. He was the original publisher of Luca Pacioli's mathematical works, Summa de arithmetica and De divina proportione, and of what is thought to be the first printed version of the Quran in Arabic.[1]
Life
Born in Brescia in the mid-fifteenth century, Paganini moved to Venice at a young age. In Venice he entered the field of publishing in 1483, working with publishers Bernardino Benali and Giorgio Arrivabene.[2] In 1487 he printed and published his first independent work, a copy of the Roman Missal (published for the first time in 1474). In the following years he devoted himself to the printing of various works on theology and jurisprudence, including an exceptional Bible with accompanying illustrations and commentary by Nicholas of Lyra.[3] His publications also included significant works
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Achilles Ciro Alessandro Paganini (1825 - abt. 1895)
AchillesCiro AlessandroPaganini
Son of Niccolò Paganini and Antonia Bianchi
[sibling(s) unknown]
[spouse(s) unknown]
[children unknown]
Died about at about age 69 [location unknown]
Problems/Questions
Profile last modified | Created 26 Jul 2022
This page has been accessed 218 times.
Biography
Achilles Ciro Alessandro Paganini was born in 1825. He died in 1895.
Sources
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Niccolò Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italianviolinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His Caprice No. 24 in A minor, Op. 1, is among the best known of his compositions, and has served as an inspiration for many prominent composers.
Biography
Childhood
Niccolò Paganini was born in Genoa, Italy, the third of the six children of Antonio and Teresa (née Bocciardo) Paganini. Paganini's father was an unsuccessful trader, but he managed to supplement his income through playing music on the mandolin. At the age of five, Paganini started learning the mandolin from his father, and moved to the violin by the age of seven. His musical talents were quickly recognized, earning him numerous scholarships for violin lessons. The young Paganini studied under various local violinists, including Giovanni Servetto and Giacomo Costa, but his progress quickly outpaced their abiliti
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