David hilliard photographer biography

David Hilliard: Photographs

David Hilliard's vibrant color photographs, usually triptychs or larger compositions, present elaborate narratives exploring a range of themes and situations, from the awkwardness of adolescence to masculinity disarmed. Formally, these staged photographs share the style of contemporary photographers like Gregory Crewdson and Anna Gaskell, among others. Yet Hilliard draws less from the realm of the fantastic and instead looks to his immediate surroundings to draw inspiration, as he deftly fuses autobiography with fiction to engage a host of complex ideas.

This lush monograph is the first major publication of Hilliard's work. Included are works from the artist's ongoing series of his father that demonstrate Hilliard's ability to tangle fact with fiction as the resulting images, underscored by the artist's wry outlook on the world, convey a distinct poignancy. Other works engage issues of intimacy, homoeroticism, and identity. The resulting scenes are as often elegiac as they are comical, always orchestrated with precision, and with a marriage of

David Hilliard

Black Panther Party leader (born 1942)

For the photographer of the same name, see David Hilliard (photographer).

David Hilliard

Hilliard at a Black Panther rally in San Francisco, October 1969

Born (1942-05-15) May 15, 1942 (age 82)

Rockville, Alabama, U.S.

Spouse

Patricia

(m. 1959)​
PartnerBrenda Presley
Children4

David Hilliard (born May 15, 1942) is a former member of the Black Panther Party, having served as Chief of Staff.[1][2] He became a visiting instructor at the University of New Mexico in 2006.[3] He also is the founder of the Dr. Huey P. Newton foundation.[4]

Early life

David Hilliard was born on May 15, 1942, in Rockville, Alabama, to Lela and Lee Hilliard. David had six brothers and five sisters: Theodore, Allen, Nathaniel, Van, Roosevelt, Arthur, Rose Lee, Sweetie, Dorty Mae, Vera Lee, and Eleanora.[5] His parents met in 1916, when his mother was 16 years old, a little less than half the age of his father. In h

David Hilliard's large-scale, multi-paneled, color photographs present complex narratives exploring a range of themes and situations, from quiet moments of contemplation to scenes of heightened drama. Documenting his life and the lives of those around him, each work comprises a number of images that employ slightly different focal points, offering multiple perspectives of a single scene. Hilliard takes the personal and familiar and manipulates them to provide a commentary on larger issues such as masculinity, coming of age, sexuality, and spirituality; striking a balance between autobiography and fiction.

 

Hilliard has photographed his father on numerous occasions, and these works exemplify the artist’s ability to fuse fact with fiction. In the triptych Rock Bottom (2008), we see Hilliard’s father standing in a lake on the left panel, and Hilliard himself in the right panel, w

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